Romeo och julia film 1996 recension

Romeo & Julia (film, )

Romeo & Julia (engelska: Romeo + Juliet) är ett amerikansk romantisk dramafilm ifrån i regi av Baz Luhrmann, baserad på pjäsen Romeo samt Julia från William Shakespeare. Den ägde premiär inom USA den 1 november[1]

Filmen utspelar sig i den fiktiva staden Verona Beach, i detta samtida talets USA, var bland annat svärd ersatts av handeldvapen och slott av skyskrapor. Filmen innehåller bland annat låten Lovefool av The Cardigans samt musik ifrån The Wannadies.

Handling

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Filmen handlar angående Romeo Montagues (Leonardo DiCaprio) och Julia Capulets (Claire Danes) förbjudna kärlek mot varandra. för att familjerna existerar osams stoppar inte dem ifrån för att älska varandra.

Sampson, Gregory och Benvolio som tillhör familjen Montague anländer inom bil mot en bensinstation. Tybalt samt Abra ifrån familjen Capulet kommer även dit. enstaka diskussion uppstår om vems familj liksom är bäst sätter igång. En eldstrid utbryter, Sampson blir avlivad och kapten Prince anländer och griper Benvolio samt Tybalt. han deklarerar för att han ej kommer för att tolerera mer våld. Nästa person likt ställer mot bråk kommer att ett fåtal plikta tillsammans med sitt liv.

Romeo existerar på strande

&#;Romeo + Juliet&#;: THR&#;s Review

On Nov. 1, , 20th Century Fox unveiled Baz Luhrmann&#;s Shakespearean adaptation Romeo + Juliet in theaters, where it would go on to gross $ million globally. The Hollywood Reporter&#;s original review is below: 

A clever and well-executed reworking of the timeless Elizabethan tragedy, Baz Luhrmann&#;s follow-up to his widely admired Strictly Ballroom won&#;t replace other top cinematic versions of the same story (the Oscar-winning musical West Side Story, Franco Zeffirelli&#;s exquisite traditional take), but the young target audience of this release should find this one tough to resist.

Seeking to avoid the academic label and setting the story in a violent big city, Aussie Luhrmann and co-writer Craig Pearce use the Bard&#;s poesy and stay more or less faithful to the story line. &#;William Shakespeare&#;s Romeo & Juliet&#; is just what it promises — a graphic, wildly passionate love story that captures the brightly burning emotions of youth.

Racing through much of the family-rivalry material in chaotic montages of &#;fair Verona,&#; the film delivers memorable renderings of the central story&#;s most famo

I&#;ve seen Shakespeare done in drag. I&#;ve seen Richard III as a Nazi. I&#;ve seen “The Tempest” as science fiction and as a Greek travelogue. I&#;ve seen Prince Hal and Falstaff as homosexuals in Portland. I&#;ve seen “King Lear” as a samurai drama and “Macbeth” as a Mafia story, and two different “Romeo and Juliets” about ethnic difficulties in Manhattan (“West Side Story” and “China Girl”), but I have never seen anything remotely approaching the mess that the new punk version of “Romeo & Juliet” makes of Shakespeare&#;s tragedy.

The desperation with which it tries to “update” the play and make it “relevant” is greatly depressing. In one grand but doomed gesture, writer-director Baz Luhrmann has made a film that (a) will dismay any lover of Shakespeare, and (b) bore anyone lured into the theater by promise of gang wars, MTV-style. This production was a very bad idea.

It begins with a TV anchor reporting on the deaths of Romeo and Juliet while the logo “Star Crossed Lovers” floats above her shoulder. We see newspaper headlines (the local paper is named “Verona Today”). There is a fast montage identifying the leading characters, and showing the city of Verona Beach domin

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